This is a fragment from H.P.Lovecraft`s short story “Negotium Perambulans” about an entity that comes at night and feeds of the fear of the villagers it torments.
☥ ☥ ☥ You can read the full story here ☥ ☥ ☥
I would be curious to know your thoughts at the end… it picked up a bit too slow for my taste and the ending left me wondering what next…
At the end I want to note that it was written by Lovecraft in his early days, before he honed his craft and gave us the other literary works we all came to love.
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It was not long before I came across John Evans. One morning, as I lay on the beach, there came shambling across the sand a man stout and middle-aged with the face of Silenus. He paused as he drew near and regarded me from narrow eyes.
“Why, you’re the little chap that used to live in the parson’s garden,” he said. “Don’t you recognise me?”
I saw who it was when he spoke: his voice, I think, instructed me, and recognising it, I could see the features of the strong, alert young man in this gross caricature.
“Yes, you’re John Evans,” I said. “You used to be very kind to me: you used to draw pictures for me.”
“So I did, and I’ll draw you some more. Been bathing? That’s a risky performance. You never know what lives in the sea, nor what lives on the land for that matter. Not that I heed them. I stick to work and whisky. God! I’ve learned to paint since I saw you, and drink too for that matter. I live in the quarry-house, you know, and it’s a powerful thirsty place. Come and have a look at my things if you’re passing. Staying with your aunt, are you? I could do a wonderful portrait of her. Interesting face; she knows a lot. People who live at Polearn get to know a lot, though I don’t take much stock in that sort of knowledge myself.”
I do not know when I have been at once so repelled and interested. Behind the mere grossness of his face there lurked something which, while it appalled, yet fascinated me. His thick lisping speech had the same quality. And his paintings, what would they be like?…
“I was just going home,” I said. “I’ll gladly come in, if you’ll allow me.”
He took me through the untended and overgrown garden into the house which I had never yet entered. A great grey cat was sunning itself in the window, and an old woman was laying lunch in a corner of the cool hall into which the door opened. It was built of stone, and the carved mouldings let into the walls, the fragments of gargoyles and sculptured images, bore testimony to the truth of its having been built out of the demolished church. In one corner was an oblong and carved wooden table littered with a painter’s apparatus and stacks of canvases leaned against the walls.
He jerked his thumb towards a head of an angel that was built into the mantelpiece and giggled.
“Quite a sanctified air,” he said, “so we tone it down for the purposes of ordinary life by a different sort of art. Have a drink? No? Well, turn over some of my pictures while I put myself to rights.”
He was justified in his own estimate of his skill: he could paint (and apparently he could paint anything), but never have I seen pictures so inexplicably hellish. There were exquisite studies of trees, and you knew that something lurked in the flickering shadows. There was a drawing of his cat sunning itself in the window, even as I had just now seen it, and yet it was no cat but some beast of awful malignity. There was a boy stretched naked on the sands, not human, but some evil thing which had come out of the sea. Above all there were pictures of his garden overgrown and jungle-like, and you knew that in the bushes were presences ready to spring out on you….
“Well, do you like my style?” he said as he came up, glass in hand. (The tumbler of spirits that he held had not been diluted.) “I try to paint the essence of what I see, not the mere husk and skin of it, but its nature, where it comes from and what gave it birth. There’s much in common between a cat and a fuchsia-bush if you look at them closely enough. Everything came out of the slime of the pit, and it’s all going back there. I should like to do a picture of you some day. I’d hold the mirror up to Nature, as that old lunatic said.”
After this first meeting I saw him occasionally throughout the months of that wonderful summer. Often he kept to his house and to his painting for days together, and then perhaps some evening I would find him lounging on the pier, always alone, and every time we met thus the repulsion and interest grew, for every time he seemed to have gone farther along a path of secret knowledge towards some evil shrine where complete initiation awaited him…. And then suddenly the end came.
I had met him thus one evening on the cliffs while the October sunset still burned in the sky, but over it with amazing rapidity there spread from the west a great blackness of cloud such as I have never seen for denseness. The light was sucked from the sky, the dusk fell in ever thicker layers. He suddenly became conscious of this.
“I must get back as quick as I can,” he said. “It will be dark in a few minutes, and my servant is out. The lamps will not be lit.”
He stepped out with extraordinary briskness for one who shambled and could scarcely lift his feet, and soon broke out into a stumbling run. In the gathering darkness I could see that his face was moist with the dew of some unspoken terror.
“You must come with me,” he panted, “for so we shall get the lights burning the sooner. I cannot do without light.”
I had to exert myself to the full to keep up with him, for terror winged him, and even so I fell behind, so that when I came to the garden gate, he was already half-way up the path to the house. I saw him enter, leaving the door wide, and found him fumbling with matches. But his hand so trembled that he could not transfer the light to the wick of the lamp.
“But what’s the hurry about?” I asked.
Suddenly his eyes focused themselves on the open door behind me, and he jumped from his seat beside the table which had once been the altar of God, with a gasp and a scream.
“No, no!” he cried. “Keep it off!…”
I turned and saw what he had seen. The Thing had entered and now was swiftly sliding across the floor towards him, like some gigantic caterpillar. A stale phosphorescent light came from it, for though the dusk had grown to blackness outside, I could see it quite distinctly in the awful light of its own presence. From it too there came an odour of corruption and decay, as from slime that has long lain below water. It seemed to have no head, but on the front of it was an orifice of puckered skin which opened and shut and slavered at the edges. It was hairless, and slug-like in shape and in texture. As it advanced its fore-part reared itself from the ground, like a snake about to strike, and it fastened on him….
At that sight, and with the yells of his agony in my ears, the panic which had struck me relaxed into a hopeless courage, and with palsied, impotent hands I tried to lay hold of the Thing. But I could not: though something material was there, it was impossible to grasp it; my hands sunk in it as in thick mud. It was like wrestling with a nightmare.
I think that but a few seconds elapsed before all was over. The screams of the wretched man sank to moans and mutterings as the Thing fell on him: he panted once or twice and was still. For a moment longer there came gurglings and sucking noises, and then it slid out even as it had entered. I lit the lamp which he had fumbled with, and there on the floor he lay, no more than a rind of skin in loose folds over projecting bones.