Vampire by Marco Bucci is one of those images that sticks with you… and the more your look at it, the more you notice!
Decadently rich in details and subtones, this piece makes your imagination spring into action.
You might think that it is an actual 18th century painting, however the artist – Marco Bucci – is actually a contemporary of our 😉
What I personally find haunting about this piece is the fact that our vampire is in such a position as opposed to his victim (the lovely lady on the bed) that it makes you wonder if the attack has taken place or not.
Are we looking at moments BEFORE or AFTER a vampire feeding?
† Vampire Art
Faust and Lilith is an oil painting by Richard Westall, famous for several portraits of Byron – one hangs in the National Portrait Gallery in London.
He was commissioned by several members of the nobility to adorn their Houses. Westall was a prolific book illustrator of both fiction and poetry, including the works of Sir Walter Scott, Oliver Goldsmith, William Cowper and Thomas Gray.
Quick note: Richard Westall is renowned as being Queen Victoria’s drawing master 😉
Lady Lilith is an oil painting by Dante Gabriel Rossetti originally painted in 1866 using his mistress, Fanny Cornforth, as a model. At the insistence of shipping magnate Frederick Richards Leyland, Lady Lilith was partly repainted in 1868 using the face of Alexa Wilding.
On 9 April 1866 Rossetti wrote to Frederick Leyland:
As you continue to express a wish to have a good picture of mine, I write you word of another I have now begun, which will be one of my best. The picture represents a lady combing her hair. It is the same size as Palmifera – 36 x 31 inches, and will be full of material, – a landscape seen in the background. Its color chiefly white and silver, with a great mass of golden hair.
It was commissioned by Leyland in early 1866 and Lady Lilith was delivered to him in early 1869 (with the above mentioned medofication) at a price of £472 – quite a lot for that time 😉
The text that was attached to the painting, originally titled “Body’s Beauty” is in sync with that of another painting of Rossetti’s. He later renames the poem to “Lilith”
Find the poem –> HERE <–
Lady Lilith was donated in 1935 to the Delaware Art Museum where it is now displayed.
There are several copies pertaining to the painter.
A large 1867 replica of Lady Lilith – in watercolor and showing the face of Cornforth, is now owned by New York’s Metropolitan Museum of Art. The text that accompanies it is a fragment from Goethe’s Faust:
“Beware of her fair hair, for she excells
All women in the magic of her locks,
And when she twines them round a young man’s neck
she will not ever set him free again.”
† Vampire Art
The Lamia is an oil painting by Herbert James Draper, completed in 1909 as part of a series. He focused mainly on mythological themes from ancient Greece – as was the fashion at the time of his prime.
For The Lamia it is believed that Draper used Win Green, a model at the Royal Academy schools.
She is posing in profile, with a snake on her forearm and a snakeskin belt around her lower body.
NOTE: You can easily find prints or hand-made reproductions of this peace as it is a popular one of the artist 😉
† Vampire Art
The nightmare by Fuseli was first on exhibition in 1782 at the Royal Academy of London and it continues to fascinate as much –if not more- to this day.
It is a magnificent oil on canvas painting .
The nightmare depicts a woman in the process of having a nightmare. She is on her back [in what some have described as a sexual position at the time the painting was first introduced] and is being tormented by an incubus that is sitting on her chest. In the background one also notices the head of a horse – another symbol for nightmares in that era. Perhaps what the viewed is captured by the most is the fact that the incubus is staring outward from the frame and the eyes of the horse are over dramatized.
Because of high interest in the painting Henry Fuseli is known to have made at least 3 versions and at that time there was even an engraving that circulated.
It is attributed to Thomas Burke and was created in 1783
A version of the painting was slightly adjusted as a satire for political reasons.
† Vampire Art