Although not the first work to present this kind of character, “Dracula” by Bram Stoker was the first novel to truly have success
The creative process wasn`t a spontaneous one, as many would imagine. It took decades to complete the novel, Stoker spending a great deal of time documenting in the British libraries.
The myths may have left their mark on Count Dracula – the character, but the notion of an aristocratic-vampire is a huge step forward! It became the first vampire character that managed to sneak in the collective subconscious, influencing even to this day.
Although Stoker’s vampire summarizes all available superstitions [up to that time], the character in itself brings a new and exciting twist: the undead is of noble origin and retains the title of Count.
The author thus creates a huge gap between the aristocrat Dracula represents and the corpses leaving their tombs at night to feed. The latter behaved more like the zombies in voodoo culture, while Dracula is endowed with intelligence and has other interests outside the “running” after blood.
The Count is able to plan the journey and even counterstrike some obstacles, avoiding difficult situations throughout the story and especially he allows for an evil character to be exposed by the [first] hunter: Van Helsing.

Even his image is a special one. He seems to be endowed in order to seduce his victims.
Traditional vampires used their powers to subdue victims, but Dracula is shown as a courtly gentleman, with good quality clothing – even manages to mimic life for a few days as his lawyer visits him to sign the contract for buying the future home in England.
The general image of a vampire is supposed to be complete with a shroud and / or semi-decomposed clothes, unkempt appearance [hair disheveled, broken nails because of numerous exits from the tomb] and blood – incriminating evidence around the mouth of any vampire.
We rarely find dialogues in the old stories, but we can not put too much emphasis on this because there weren`t so many writers [of short stories and novels] that focused on these issues ahead of Stoker. The classic poems present scenes of vampires and their victims [almost always undead relatives or lovers] without much dialog.
In the legends who inspired Bram Stoker, the vampire is a creature of darkness that shows a lot of negative aspects – that Irish has introduced in the description of Dracula. Associated with the shadows and night, the Church used the vampire to incite fear and it was considered a servant of the devil; the vampire was “kept out of the world by the light of God” during the day.
Unlike other mythological creatures, the vampire did not have duality before the changes made by Stoker! While in other cases demons behaved like normal people while the sun was in the sky [often taking the appearance of a member of the community], and after nightfall their monstrous side would manifest, the vampire spend the day in the cemetery, more precisely in its grave. The night was dedicated to hunting!
Stoker changed certain elements without changing the nature of his character.
Like other vampires, Dracula cann`t move during the day, but neither is he trapped in the cemetery. His coffin travels without major issues from Transylvania all the way to Britain -he even uses of his powers to subdue the will of the crew and changes the environment to his liking [causes fog and storm during the trip]. No other vampire before Dracula was so strong and had so many supernatural powers.
His duality occurs at nightfall, when he is both the courteous aristocrat who commands respect, and bloody and scary vampire, bringing more of an animal.

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† Count Dracula